The film star of the 1940s, with the wonderfully rich past, spends her remaining days in loneliness. In the house full of old furniture and a collection of photos, the elderly lady lives in captivity of her past. Nobody needs her today. In her extreme poverty she cannot aff ord simple pleasures, such as buying a bun, neither can she fulfi l any other wish. Such existence gives rise to base feelings. Her sudden envy towards the young lovers may absolutely change their fate.
